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Stephanie Pui-Mun Law:
 

1.   Tell me a little bit about where you were brought up and the area you now reside at. 
 
Well, I have lived most of my life in California, near San Francisco.  I currently live in Oakland, across the bay. 

2.   What are the basic steps to becoming such a wonderful Artist?
 
Lots of practice!  Honestly, I think that is the most important thing, drawing every day, and constantly challenging yourself.  If you mean how to become a professional -- well, that's a combination of practice and persistance.  There's a lot of mailing out to art directors, showing your portfolio around, and always marketing yourself.
 
3.   If you were stranded on a desert Island, what things would you want to have with you?
 
Having a piano on a desert island would be a bit odd, so that's too much to ask, a flute would do. 

4.   When did you develope the first piece of art that you were truely proud of?  What was it?
 
That's hard to say.  I'm proud of all my works when I finish them, but inevitably, I grow bored with it over time.  I like to think I'm getting better so that I can always produce something newer that is better than what has come before.  In reality that doesn't happen with each and every piece, but I try. 

5.   What inspires you?
 
Most of my inspiration comes from stories.  I love old legends, fairytales, folklore.  I combine that with minute glimmers of imagery I get from the world around me, like a gingko leaf, the color of a sidewalk stain, the twist of tree branches....

6.   Do you listen to music when you paint?  What kind?
 
I get asked that a lot.  Yes, I listen to music, but basically it's anything, and has little to do with the art.  I just need some noise in the background when I paint.  I can't have silence.

7.   How many hours a week do you devote to Art?
 
I would guess somewhere between 50-65.

 
8   How do you see Art changing for the future?
 
Digital art has been slowly edging in and becoming more legitimate.  I remember only five years back when some art directors would tell me they specifically did not accept any digital art, but now more and more it is used.
 
9.Who are your favorite Artists?
 
Oh, there are many.  Alan Lee, Daniel Merriam, Michael Parkes, David Mack, Alphonse Mucha, Dave McKean, John Singer Sargent, pre-Raphaelites, surrealists....
 
10  Is there a story behind Prince of  Lights, The Archangel Uriel?  It is so amazingly cerebral (even more than the usually cerebral Stephanie).
 
I did several Archangel images.  Originally they were for a multi-artist project where we were putting together a portfolio of archangels, but unfortunately it fell through.  I still enjoyed doing it enough that I painted several of the archangels for myself.  Uriel stands guard the gates of Eden.

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William Li:
 

1.   Tell me a little bit about where you were brought up and the
                           area you now reside at.
                           
                           Well, I was born in Surinam (South America), and later moved with my
                           family to the Netherlands while I was still a little boy. While
                           Surinam was tropically hot, the Netherlands have notoriously rainy
                           weather. One must keep complaining, I guess. At least it kept me
                           indoors to develop my artistic skills.
                           
                           
                           2.   What are the basic steps to becoming such a wonderful Artist?
                           
                           Personally I believe discipline, practice and the wish to learn are
                           key factors in developing all your skills. For art this is no
                           different. Talent alone is simply not enough. It has to be groomed and
                           developed to become anything meaningful. And that can only happen with
                           practice. You can never have enough practice. Besides that, you need
                           to be your own biggest critical, and learn from criticism of others.
                           
                           
                           3.   If you were stranded on a desert Island, what things would you
                           want to have with you?
                           
                           That's a difficult question. But first on my mind would still be
                           survival, so some survival pack would be most welcome. I guess I'm
                           rather practical that way.
                           
                           
                           4.   When did you develope the first piece of art that you were
                           truely proud of?  What was it?
                           
                           I was proud of many of my artwork, since I started drawing at 4 or 5
                           years old. Each drawing then was a something of a milestone, a piece
                           that inspired further creations. My most vivid recollection of the
                           earliest piece I was very proud of, was a drawing of a lion, which I
                           learned to draw from my mother.
                           
                           
                           5.   What are your biggest inspirations?
                           
                           Definitely nature, and mostly landscapes, vistas, skies.
                           
                           
                           6.   Do you listen to music when you paint?  What kind?
                           
                           I don't really put some preselected music when I paint. I don't need
                           music to be or stay inspired. Usually I put on the radio. The hourly
                           news helps me keep track of time, and the rather inpredictable choice
                           of music keeps me "active".
                           
                           
                           7.   How many hours a week do you devote to Art?
                           
                           That varies very much. Lately however, I have hardly spend any time on
                           Art. Too busy with other things, since I also have a regular day job.
                           
                           
                           8.   What are some do's and don'ts that you can give to the up and
                           coming young Artists out there?
                           
                           Many people (mostly children) will start drawing by doing fan-art.
                           There is nothing wrong with that, since many things we learn by
                           copying. However, they must alway regard it as just a step in their
                           development. If they want to progress, they should always keep an open
                           mind, and learn new things, explore.
                           Then there is this eternal debate about digital versus traditional
                           art. I don't see any fundamental differences between them. Just as a
                           brush, I consider the computer a tool. Nonetheless, I would advise to
                           have at least good skills in drawing with a pencil. This will prove a
                           great advantage in whatever media you'll work.
                           
                           
                           9.   How do you see Art changing for the future?
                           
                           Digital art will become accepted as a artistic medium, just as
                           photography has. Traditional media will never go away. With good
                           reason of course. I can't say anything more sensible than that.
                           
                           
                           10.  Who are your favorite Artists?
                           
                           I admire artists not always for their art, but sometimes just for
                           their skills and techniques. My favourite artists include Rembrandt,
                           Vincent van Gogh, Michael Whelan, Craig Mullins, Hayime Sorayama, John
                           Howe and many more.
                           
                           
                           11.  How would you describe you style of Art?
                           
                           I always saw my style to be 'realism'. But compared to other
                           'realistic art', mine looks more 'romantic classical'. I guess my
                           style is somewhere between 'realism' and 'classical realism'.
                           
                           
                           12.  Do you have a style that you like over your other styles?
                           
                           Actually yes. Coloured pencil on coloured paper, in a monochrome look.
                           
                           
                           13.  What other studies, hobbies or learnings have assisted you in
                           portraying your Art?
                           
                           Seeing things in an analytical way have been invaluable to me in my
                           art. Studying industrial design engineering have also helped me in
                           seeing things in a constructive technical way. This may sound to be in
                           contrast to Art, but if it helps you achieving your goal, it's
                           valuable to learn.
                           
                           
                           14.  Tell me the history behind what I consider your best piece of
                           art.... Angel of War.
                           
                           Angel of war started out as an inspired sketch in 1988, to be put away
                           in a "to do" folder. Nine years later I was browsing through it, and
                           finally having the computing power to actually make digital art of a
                           decent size, I decided to make a serious attempt at digital painting.
                           So in a way, Angel of war is like a digital painting milestone for me.
                           
                           
                           15.  Are there any improvements that you could suggest for my
                           website?  (http://dekrue2.tripod.com)  Sorry, had to ask.
                           
                           Okay, no problem.
                           I just took a quick look at it. First of all, your home page contains
                           too much text. It's a bit overwhelming to the visitor. I would suggest
                           you break up the collection of links in the red menu into 3 or 4
                           coherent sections. All for a easier and quicker navigation for the
                           user.
                           
                           
                           16.  Anything that I may have missed that you'd care to comment on?
                           
                           Not that I can think of right now.
                           
                           
                           17.  What's in the future for William?
                           
                           Well, many more artwork, I hope.

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LorAnge:
 

1. Please tell me a little bit about where you were brought
up and the area you now reside at.
 
A- I was born and raised in Montreal,Canada in 1948, I
now live & work near the
the  St-Lawrence river in LaSalle just a few mile from
where I was born.
 
2. What are the basic steps to becoming such a
wonderful Artist?
 
A- Thanks for the compliment, I got live up to that
now, he he !. I started drawing before
  I could write, I've always used images to express
myself, just naturally and instinctively
drawing what I felt, hoped or dreamed. Becoming a good
or great artist demands that you
be passionate about your art, it takes years to master
anatomy, perspective, composition,
  light and shadow or volume rendering of course but
the most important factor remains
that you learn how to get in touch with your
inner self , everybody is unique and
special so when you tap onto that inner source you
automatically create original art,
  art that touches others like yourself. There are no
real shortcuts to creating authentic
  art but by being true to yourself you end up
convinced thus convincing.
 
3. If you were stranded on a desert Island, what
things would you want to have with you?
 
A-A guitar, a fiddle and painting material would keep
me busy for sure, I spent most of
my life feeling  likeI was stuck on a desert Island,
you know I've been escaping from this
less than perfect world through playing music,
painting and writing ever since I can
remember.
 
4. When did you develop the first piece of art that
you were truly proud of? What was it?
 
A- Honestly, being a perfectionist I have to say I've
always been fairly proud of most of
  my work but it always seems to be the next one that
promises to be most  proud worthy.
That's what keeps me going.
 
5. What are your biggest inspirations? Which are your
favorite Artists?
 
A- Music, people and nature inspire my daydreams and
they in turn inspire my work.
  My favorite artists have always been the old masters
like LeCaravage, Rubens, Durer,
Bouguereau and of course the Pre-Raphaelites, they
continue to amaze me.
 
6. Do you listen to music when you paint? What kind?
 
A- Definitely! I live, eat and paint music, I listen
to whatever music keeps me in the right
space for the work I'm doing and that includes just
about every genre from Classical to
Rock and everything in between.
 
7. How many hours a week do you devote to Art?
 
A- That varies but an average of about thirty hours a
week is pretty accurate.
 
8. What are some do's and don'ts that you can give to
the up and coming young Artists
  out there?
 
A- Paint for yourself, be honest ! Don't just follow
trends and if you get into a slow
creative period don't force it, it will come back,
just stay receptive !
 
9. How do you see Art changing for the future?
 
A- The wonderful thing about art is that it never
really changes, trends come and go,
new methods develop, styles evolve naturally to fit
different ages but it remains basically
the same.And every nuances are welcomed, for instance
the new craze for digital art
shows classical influences just like traditional
artists such as myself are influenced by
computer art. I see the future as a continuation of
the present but what I particularly
  like about the period we're entering now is the
tendency towards figurative expression
as opposed to abstract experimentation, times are
changing.
 
10. What challenges do you have yet to fulfill in your
life?
 
A- I just want to keep painting and influence this
trend back toward imaginative/figurative
  work, I hope to live to see a majority of art
galleries and museums open their doors and
hearts to the new breed of figurative artists, I know
the public will appreciate it.
 
11. How would you describe you style of Art?
 
A- I paint like a poet writes & a musician plays, it's
very intimate, each piece is like a page
from my diary. In my close to thirty year career It's
been labeled Fantasy or Visionary art,
Surrealism, Symbolism, Romanticism, Figurative even
Realism and I forget what else.
I've always been hard to describe and my art reflects
that also. I paint what I want to see,
my visions ! Using traditional methods and a palette
of earthy and predominantly warm
colors to give my work an oldish look so the best way
to view them is still by candle light.
 
12. Do you have a style that you like over your other
styles?
 
A- I'd have to say no to that, I do appreciate all
figurative work that pulls me into a
dreamlike atmosphere or  touches me deeply. Pictures
that tell a story !
 
13. What other studies, hobbies or learnings have
assisted you in portraying your Art?
 
A- Everything I've ever seen or experienced assists me
in that way.
 
14. Tell me the history behind what I consider your
best piece of art....
The Medieval Picture... The Letter.
 
A- I'm glad you like it , thank you! I created two
versions of that painting about five years
ago,  one in oil, the other is in acrylic by the way.
It's one of the few paintings that was
directly influenced by a couple of books I'd just read
on King Arthurs legend at the time.
Both were done amazingly fast, the vision was very
clear in my mind - Guenevere holding
a letter from Lancelot while King Arthur enters the
court. The image was going to be used
for a medieval fair in my town  although that didn't
happen it's one of my most popular
medieval painting still.
 
15. Could also tell me about the picture depicting Old
Montreal. What a labor of love !
 
A- That's a very unusual painting from my catalogue,
it's always a popular piece and yes
  it is one that I cherish, it's very personal. Of
course visitors to Montreal usually go
there for good reasons like the European style
restaurants, the Boutiques & Art galleries,
etc. I had to  sketch the buildings on the spot but I
painted the scene in the studio
afterwards, the large crowd is actually a mixture of
souvenirs from my younger bohemian
years, I had some great times there back in the late
sixties and they are with me still in
memory as well as on canvas since I still own that
piece.
 
16. Tell me about the time you usually spend on
studying your subject matter.
 
A- It always depends on the nature of the painting,
some are simply improvised, others
demand a lot of research and I'll go to great extent
if I have to. My Canadiana series of
nostalgic paintings for instance demanded many months
of laborious research. But
most of my work is improvised and based on intuition
actually.
 
17. Do you feel as if you'll be leaving a legacy
behind for other Artists and Art lovers to cherish?
 
A- I know I've influenced some people already, I've
been teaching art for many years and
I certainly  hope to leave a legacy behind but that's
not entirely up to me !
 
18. Anything that I may have missed that you'd care to
comment on?
 
A- We've covered a lot of ground in very  little time
already I thank you for giving me this
opportunity to use words instead of pictures to
express myself here, if I may just add that art
is a powerful mean of communication and an important
tool in shaping society so to all artists
reading this interview I say your mission is an
important one and its worth all the effort you
put into it !
 
19. Thank you for the compliment.  What's in the future for Marcel?
 
A-  I'll be one of the featured artists in" Watercolor
Fairies" an abundantly illustrated
  book by author David Richi that should be out in June
, there's the new line of
prints & other products with my illustrations
available from my site as well as Cafepress
&  Zazzle. I'd really like to get a calendar out on
the market but my future is in the hands of
editors and galleries really, I'm always looking for
representation, I can't do it alone.
 
Thank you and good luck !!